Anitta tracklist drops
Anitta posted the tracklist for her upcoming album EQUILIBRIVM, stoking early buzz ahead of the April 16 release and giving fans a first look at what to expect. (x.com)
Anitta didn’t just post song names. She showed a 15-track album with one slot still blank, so fans got almost the whole map of EQUILIBRIVM and one built-in mystery before the April 16 release. (g1.globo.com) The revealed titles include “Desgraça,” “Mandinga,” “Caminhador,” “Bemba,” “Ternura,” “Deus Existe,” “Caso de Amor,” “So Much Love,” “Pinterest,” “Nanã,” “Vai Dar Caô,” “Choka Choka,” “Meia-Noite,” and “Ouro.” The missing eighth track sits right in the middle, which is exactly where you’d hide the song people will talk about most. (billboard.com.br) That tracklist tells you this is not a single-lane pop album. Titles like “Mandinga,” “Nanã,” and “Meia-Noite” point toward Brazilian references and nighttime ritual imagery, while “So Much Love” and “Pinterest” signal the multilingual crossover lane Anitta has spent years building. (billboard.com.br, wikipedia.org) The album is scheduled for April 16, 2026 through Republic Records, less than two years after Funk Generation arrived in April 2024. That makes EQUILIBRIVM the next big reset in a career that has moved from Rio funk records to English- and Spanish-language singles with global label backing. (wikipedia.org, republicrecords.com) Early reports around the project say it is split into two acts. The first half is described as Portuguese songs rooted in Brazilian genres, and the second half shifts toward English and Spanish songs aimed at the international market. (wikipedia.org) That split helps explain why the tracklist feels like two passports in one wallet. A song like “Nanã” sits next to “So Much Love,” which is the kind of sequencing you use when you want home-country identity and export-ready pop on the same record. (billboard.com.br, wikipedia.org) This rollout also wasn’t built from zero on April 3. Brazilian outlets reported that selected fans had already heard snippets at a listening event in Salvador, Bahia, so the official tracklist worked less like a surprise and more like a confirmation that the leaks were mostly real. (g1.globo.com, anitta.fandom.com) One title already had a head start before the full album: “Pinterest,” which was released in March. Another, “Choka Choka,” was listed as a single on April 9, giving the album two advance markers before release week even began. (wikipedia.org) The names on the board are also doing a lot of tone-setting. “Desgraça,” “Deus Existe,” and “Ouro” read like extremes on purpose, as if the record wants to move between ruin, faith, and triumph instead of staying in one mood for 15 tracks. That is an inference from the titles, not a confirmed plotline. (billboard.com.br) So the immediate story is simple: Anitta gave fans nearly the entire album, kept one song hidden, and left just enough space for speculation to keep running until April 16. In pop rollouts, one missing title can do more work than a full press release. (g1.globo.com)