Post Malone closes Stagecoach Apr 26
- Post Malone closed Stagecoach on Sunday, April 26, at Indio’s Empire Polo Club, ending the three-day California country festival with a cover-heavy headlining set. - His finale was Toby Keith’s “Courtesy of the Red, White and Blue,” after guests Shaboozey, Jake Worthington and Braxton Keith joined a country-pop set. - Stagecoach’s weekend mixed country headliners with rock-pop nostalgia after a wind evacuation disrupted Saturday. (billboard.com)
Post Malone closed Stagecoach on Sunday, April 26, with a headlining set at the Empire Polo Club in Indio that leaned hard into country covers and guest spots. (desertsun.com) (rollingstone.com) He opened with Craig Morgan’s “International Harvester,” mixed in “White Iverson,” “Circles” and “Sunflower,” and used much of the set to showcase his country pivot. (rollingstone.com) (usatoday.com) Shaboozey joined him for “I Had Some Help,” while Jake Worthington and Braxton Keith came out later in the night. Post Malone closed with Toby Keith’s “Courtesy of the Red, White and Blue (The Angry American).” (rollingstone.com) (desertsun.com) Stagecoach ran April 24-26 with Cody Johnson, Lainey Wilson and Post Malone as headliners, and Billboard said the festival spread more than 100 artists across seven stages. (stagecoachfestival.com) (billboard.com) The weekend was also shaped by weather. High winds forced an evacuation on Saturday, and Billboard reported that Journey and Riley Green were taken off the bill before performances resumed and Lainey Wilson’s headlining set started an hour late. (billboard.com) (latimes.com) By Sunday, reviews focused as much on the festival’s format as on its closer. Billboard described a lineup that moved between mainstream country, alt-country, rock and pop-leaning acts, including Hootie & the Blowfish, Third Eye Blind, Pitbull and Ludacris. (billboard.com) That crossover was built into the schedule. Billboard reported that the new Mustang Stage hosted Hootie & the Blowfish, Third Eye Blind and The Wallflowers on Sunday night, extending Stagecoach’s push beyond a strict country bill. (billboard.com) The Los Angeles Times’ Stagecoach coverage highlighted Hootie & the Blowfish on Day 3 and published a separate piece on how Third Eye Blind ended up on the festival lineup at all. (latimes.com) Post Malone’s set fit that same formula: Nashville material, legacy country covers, pop hits, pyro and beer-can theatrics on the festival’s biggest stage. (rollingstone.com) (yahoo.com) When the weekend ended, Stagecoach 2026 looked less like a single-genre festival than a country event built to absorb rock, rap and pop stars without changing its desert setting. (billboard.com) (latimes.com)