Secret Circus of Puppets (May 1–7)
- Chanel Samson’s “The Secret Circus” stopped in Minneapolis on May 1 and 2, bringing an all-ages puppet-and-circus musical to In the Heart of the Beast. - The show pairs Samson and musician-clown Paul Baird with Twin Cities puppeteers, jugglers, hoop and stilt performers inside a story about outlawed feelings. (mprnews.org) - It matters because HOBT is a major local puppetry hub, and this stop folded a national queer-friendly touring show into Minneapolis talent. (hobt.org)
Puppetry is the hook here, but the real engine is community. “The Secret Circus” is an all-ages musical that mixes puppets, clowning, live music, and circus acts into a story about what happens when a ruler tries to ban feelings. For Minneapolis, the news was simple — the touring show landed at In the Heart of the Beast (mprnews.org)ists directly into the performance. (mprnews.org) ### What is this show, exac(hobt.org)ell built around a fake-undercover big top. The premise is blunt in the best way: feelings have been outlawed, so a rock-and-roll ringleader and a band of performers create a secret circus where expression is still allowed. That includes everybody — person, animal, or puppet. The tone is family-friendly, but the emotional pitch is openly queer and welcoming rather than coy about it. (hobt.org)maybe a puppet in the corner.” The puppets are part of the world-building. MPR’s roundup described it as a circus puppet show with original music, and HOBT billed it as an all-ages musical featuring local puppets and circus performers. In other words, the puppetry is doing narrative work, not just decoration — more like a second cast than a prop department. (mprnews.org) ### Who made the Minneapolis version? Sams(hobt.org)neup was largely Twin Cities talent. That local roster included puppeteers, a hoops dancer, a stilt walker, and a juggler, with performers shaping their own pieces to fit the story. Event listings for the Minneapolis stop also named Paul Baird alongside Samson and a wider local ensemble. That matters because the show seems to adapt city by city instead of pretending every stop should look identical. (mprnews.org)ecause In the Heart of the Beast is one of the Twin Cities’ anchor institutions for puppet and mask theater. Its whole mission is built around community art, puppetry, and creative participation. Put that next to a touring show about hidden feelings, chosen family, and handmade spectacle, and the fit is pretty obvious — it’s like bringing a traveling band into a venue that already speaks the same language. (hobt.org) ### What’s the story underneath the spectacle? A king has outlawed (mprnews.org) exist. That’s a kid-readable plot, but it also gives the show a clear adult subtext about repression, identity, and finding your people. Reviews from other stops describe the message as basically this: what makes you strange is what makes you shine. That’s not subtle, but subtlety isn’t really the point of circus. The point is to make the emotional idea visible. (mprnews.org)is event? No — it’s part of a 2026 tour that moved through Denver, New Orleans, Chicago, Minneapolis, and New York. But Minneapolis got a version tied to local performers and a local puppetry institution, which gives this stop more weight than a normal one-night booking. It’s touring theater, but with some of the logic of a residency. (thesecretcircusmus.wixsite.com) ### So why was it on the shortlist? Because it hits a sweet spot that arts round(mprnews.org)ilies, and rooted in a real local scene even while traveling. You get puppets, original songs, circus skills, and a clear emotional thesis in 90 minutes. That’s a lot of texture for a very small tent. (eventbrite.com) ### Bottom line? “The Secret Circus” wasn’t just a quirky listing. I(thesecretcircusmus.wixsite.com) where puppetry already has deep roots and a ready-made home. (hobt.org)