Pixelworks linked to Billie Eilish 3D film

Pixelworks said on May 14 that its TrueCut Motion platform was used in the post-production of “Billie Eilish: Hit Me Hard and Soft – The Tour Live in 3D,” a concert film the company described as a premium large-format theatrical release. The disclosure appeared in a company announcement highlighted on Pixelworks’ TrueCut Motion media pages and in a PDF release dated Los Angeles, Calif., May 14, 2026. StockTitan on May 23 surfaced the item again in a summary tied to a Pixelworks insider Form 4 filing, linking the film title to the company’s earlier announcement. ### Where did the Billie Eilish connection come from? StockTitan published a May 23 page summarizing a Pixelworks insider filing and said the company had disclosed on May 14 that TrueCut Motion was powering “Billie Eilish: Hit Me Hard and Soft – The Tour Live in 3D.” The StockTitan item was not itself the original announcement; it pointed back to Pixelworks’ earlier disclosure. (pixelworks.com) Pixelworks’ own May 14 materials identify the project by name and say the company played what it called a “pivotal role” in post-production. The release says the platform was used to harmonize multiple frame rates and reduce motion artifacts for the 3D concert film. ### What exactly did Pixelworks say its technology did? (stocktitan.net) Pixelworks describes TrueCut Motion as a post-production platform that delivers higher-motion clarity while preserving a cinematic look associated with 24 frames per second. On its product page, the company says the tools allow shot-by-shot motion grading and adjustment of judder, shutter angle and speed ramps. The May 14 release says the Billie Eilish film used that system to manage motion presentation for a 3D theatrical format. (pixelworks.com) StockTitan’s summary of the announcement said the work supported a premium large-format rollout. ### Who else was named in the release? Pixelworks named Lightstorm Earth, Lightstorm Vision and Paramount in the May 14 announcement. (pixelworks.com) The company said those participants were part of the workflow around the film’s post-production and release. The same release places the Billie Eilish project alongside Pixelworks’ broader push to license TrueCut Motion into theatrical exhibition and studio releases. (pixelworks.com) Pixelworks’ TrueCut Motion media page lists other recent announcements involving Vue, ODEON Cinemas Group, Marcus Theatres and upcoming film releases using the format. ### Was this part of a broader company update? Pixelworks’ first-quarter 2026 results, released the same day, also referenced the Billie Eilish title as an example of TrueCut Motion usage. (stocktitan.net) That filing summary said the company ended March 31 with about $58 million in cash and no debt, and it cited the Billie Eilish film and a Vue endorsement among commercial milestones for the platform. (pixelworks.com) SEC records show Pixelworks filed both an 8-K earnings release and a 10-Q on May 14. The SEC entity page also shows subsequent ownership disclosures, including Form 4 filings that StockTitan tracks and summarizes. ### What is the cleanest takeaway from the public record? The public record as of May 23 shows that Pixelworks, not Billie Eilish’s camp, made the specific technology disclosure. (stocktitan.net) The clearest primary-source statement is Pixelworks’ May 14 release naming “Billie Eilish: Hit Me Hard and Soft – The Tour Live in 3D” and describing TrueCut Motion’s role in post-production. (sec.gov) May 14 remains the key date for the disclosure, and the most direct documents are Pixelworks’ release, its TrueCut Motion media pages and the company’s SEC-linked earnings materials. StockTitan’s May 23 post functions as a later filing summary that recirculated those details. (pixelworks.com)