Demon Slayer pulls $354M

- Sony Pictures said May 8 that Demon Slayer: Kimetsu no Yaiba Infinity Castle generated $354 million in its fiscal year ended March 31, 2026. (sony.com) - That made Infinity Castle Sony Pictures’ biggest film in the period, ahead of GOAT at $183 million and 28 Years Later at $151 million. (hollywoodreporter.com) - The bigger point is anime carried unusual weight for Sony as Pixomondo shutdown costs dragged studio profit lower. (hollywoodreporter.com)

Anime was one of the clearest bright spots in Sony Pictures’ year — and Demon Slayer was the biggest reason why. Sony’s results for the fiscal year ende(sony.com) movie number was $354 million from *Demon Slayer: Kimetsu no Yaiba Infinity Castle*. That was the studio’s top film contribution for the (hollywoodreporter.com)ied to shutting down Pixomondo. (sony.com) ### What actually happened? Sony (hollywoodreporter.com)Inside that, the motion pictures business had a rougher year on paper — revenue there fell 18% to $3.28 billion. Even so, one movie stood out: *Infinity Castle* brought in $354 million for the fiscal period and ranked first among Sony’s film releases. (hollywoodreporter.com) ### Why is the $354 million number important? Because it shows how much one anime title mattered inside a giant Hollywood studio(sony.com)AT* at $183 million, *28 Years Later* at $151 million, and *Chainsaw Man – The Movie: Reze Arc* at $118 million. In other words, the gap between first and second place was huge — *Demon Slayer* nearly doubled the next title. (hollywoodreporter.com) ### Is that the movie’s full box office? No — and this is th(hollywoodreporter.com)fetime total. During its full theatrical run, *Infinity Castle* went much higher. By September 2025 it had already passed $555 million worldwide, and by November it had reached $730 million worldwide after opening in China. Sony’s own year-end framing also notes the movie finished above $740 million worldwide. (hollywoodreporter.com)unusual anime machine. It owns Aniplex, controls Crunchyroll, and has theatrical distribution muscle through Sony Pictures. That means Sony isn’t just licensing anime — it can help finance, market, distribute, and then keep monetizing the audience through streaming and merch. Rahul Purini, Crunchyroll’s CEO, said last year that *Infinity Castle* proved “how big anime has become,” which sounds obvious now but is really the business point here. (hollywoodreporter.com)Sony’s top four film performers in the fiscal period were animated: *Demon Slayer*, *GOAT*, and *Chainsaw Man*. That matters because it suggests this wasn’t a one-off fluke from one fandom event. Sony’s own results framed animation — and especially Japanese anime — as a real strength inside the slate. (hollywoodreporter.com) ### So why did Pictures profit still fall? Pixomondo. Sony shut down the visual ef(hollywoodreporter.com)r without that charge. Strip out the Pixomondo impairment, and Sony Pictures’ fiscal-year profit actually rose 11% to $858 million. Basically, the anime win was real — it just got partially buried by restructuring costs. (hollywoodreporter.com) ### What(hollywoodreporter.com)ony Pictures’ biggest film contributor in the year and another proof point that anime can anchor a global studio slate, not just fill a niche release window. The bottom line is simple: Sony’s earnings showed that anime is no longer support revenue. In this cycle, it was the main event. (hollywoodreporter.com)

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