1001Tracklists posts melodic house sets

DJ tracklists are basically public notebooks. They show what a set actually did — not what a promo blurb said it would do. That matters more than usual in melodic house and techno, where the useful information is often the transition, the pacing, and the one unreleased ID tucked between familiar records. This week, 1001Tracklists added a cluster of fresh sets in that lane, with XABI ONLY, St.Ego, and S.A.M.A. all showing up in the feed. ### What actually landed this week? The clearest new post is XABI ONLY’s *Journeys 440*, published on May 11, 2026. 1001Tracklists tags it as a podcast with 23 tracks and a genre mix of Mainstage plus Melodic House/Techno. On the same stretch of the site, St.Ego’s *E-Motion Sessions* series and S.A.M.A.’s *ElectroNic Sessions* series also show recent entries that lean into the same melodic-progressive zone. (1001tracklists.com) ### Why do the track counts matter? Because count tells you something about pacing. A 12-track or 13-track radio show usually means longer blends, more breathing room, and fewer hard pivots. A 23-track show in roughly the same broad format usually means denser programming — more records tested, more transitions exposed, and more chances to spot recurring IDs before they break wider. You can see that spread in recent entries: St.Ego sessions around 12 to 13 tracks, S.A.M.A. around 13 to 15, and XABI ONLY jumping into the 20s and even 30s in adjacent episodes. (1001tracklists.com) ### Why is 1001Tracklists useful here? Because it turns a mix into something searchable. The site logs track names, timestamps, genres, dates, and whether a list is fully IDed or still partly unknown. That means a DJ can reverse-engineer a set the way a producer studies a project file — where the energy lifts, where the vocal lands, where the groove resets after a peak. The homepage and tracklist pages are built exactly for that kind of crate-digging and comparison. (1001tracklists.com) ### What does melodic house get from this? A fast view of the middle of the market. Not just superstar festival sets — but working radio shows and club-facing mixes where genre boundaries blur a little. Recent examples on the site show Melodic House/Techno crossing with Progressive House, Organic House, Tech House, and even Mainstage depending on the DJ. That is useful if you are trying to understand where the sound is actually moving, not where genre tags say it should stay. (1001tracklists.com) ### Is this about finished tracks or IDs? Both, but the hidden value is the half-known stuff. A tracklist with a few unknowns is like seeing a chef’s prep table instead of the plated dish — you catch the ingredients before everyone else recognizes the recipe. Even when a set is fully IDed, timestamps still show phrase length and transition logic, which is gold if you build 60- to 90-minute club sets. (1001tracklists.com) ### So who should care? DJs first. Producers second. Fans last, but still yes. If you play out, these pages are a shortcut to new records and arrangement ideas. If you produce, they show which labels and moods are clustering together right now. And if you just listen, they are one of the fastest ways to move from “what was that track?” to an actual answer. ### What’s the bottom line? This is small news, but practical news. 1001Tracklists didn’t just post more mixes — it posted fresh evidence of how melodic-house DJs are sequencing records right now, and that is the part other DJs can immediately steal. (1001tracklists.com 1) (1001tracklists.com 2) (1001tracklists.com 3)