Win Metawin wears two Tiffany brooches

- Thai actor Win Metawin wore two Tiffany & Co. Bird on a Rock brooches on May 19 at the Cannes red carpet for “Fatherland.” (festival-cannes.com) - The key detail was the double styling: Hommés Singapore identified both pieces as Tiffany Bird on a Rock brooches worn together. (tiffany.com) - “Fatherland” is part of Cannes competition, and Tiffany’s Bird on a Rock design dates to 1965. (festival-cannes.com)

Thai actor Win Metawin turned a menswear staple into the main accessory story of his Cannes appearance by wearing not one but two Tiffany & Co. Bird on a Rock brooches. The look was tied to the May 19 red carpet around “Fatherland,” the Paweł Pawlikowski film in Cannes competition, according to the story context provided and festival materials on the film. (festival-cannes.com) Tiffany describes Bird on a Rock as one of the house’s signature jewelry designs, first introduced in 1965 by Jean Schlumberger. (tiffany.com) ### What was the specific fashion move here? (festival-cannes.com) Win Metawin’s standout move was doubling the brooch rather than using a single lapel pin. The available reporting identified the pieces as two Tiffany & Co. Bird on a Rock brooches, worn together for the Cannes appearance tied to “Fatherland” on May 19. Tiffany’s Bird on a Rock design centers on a jeweled bird perched atop a colored gemstone or diamond. The company says the motif was introduced in 1965 after Schlumberger drew inspiration from a yellow cockatoo, and it has since become one of Tiffany’s most recognizable high-jewelry forms. (festival-cannes.com) ### Why does wearing two brooches matter? Two brooches on formalwear is notable because the accessory is usually treated as a single accent. In this case, the styling pushed the brooch from supporting detail to focal point, especially on a men’s red-carpet look where jewelry is often limited to a watch, ring, or one pin. (tiffany.com) That reading is an inference from the styling choice and from Tiffany’s own positioning of Bird on a Rock as a signature design. Tiffany’s current Bird on a Rock pages show the motif across multiple gemstone versions and present it as part of the house’s high-jewelry identity. (tiffany.com) One listed version on Tiffany’s U.S. site is priced at $110,000, underscoring that the design sits in the luxury house’s top tier rather than in an entry collection. ### What was the Cannes event attached to the look? “Fatherland” is a 2026 film directed by Paweł Pawlikowski and listed by the Festival de Cannes in the main competition. (tiffany.com) The festival synopsis says the film follows Thomas Mann and his daughter Erika on a postwar return to Germany in 1949. The film had its Cannes world premiere on May 14 at the Grand Théâtre Lumière, according to festival and trade coverage. Reports from Deadline and other outlets said the premiere drew a six-minute standing ovation, placing the film among the more closely watched competition titles of this year’s festival. (tiffany.com) ### How does this fit Tiffany’s current use of Bird on a Rock? Tiffany has continued to use Bird on a Rock as a flagship visual code across its jewelry marketing. The company’s collection pages describe the design as an homage to its celebrated brooch and say newer versions were conceived under Chief Artistic Officer Nathalie Verdeille. (festival-cannes.com) That matters because a red-carpet appearance featuring two Bird on a Rock brooches does not just showcase generic diamonds; it spotlights a house signature with a long archive behind it. (deadline.com) That connection comes directly from Tiffany’s own description of the design’s place in the brand. ### What comes next after this Cannes appearance? Cannes runs through May 23, 2026, according to festival information surfaced in coverage around “Fatherland.” The film is scheduled for theatrical release in Poland on June 19, 2026, while Tiffany’s Bird on a Rock designs remain visible on the brand’s official collection pages. (tiffany.co.uk) (filmfestivals.us)

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