Heritage music series launches in Boadilla

- Fundación Santa María la Real unveiled the 2026 Las Piedras Cantan season on April 29, opening May 14 in Boadilla del Monte with accordionist Sofía Ros. - This year’s edition has four free 20:00 concerts, a €20,000 budget, and stops in Cabezón de Pisuerga, Lerma, and Aguilar de Campoo. - The series turns heritage sites into live stages — and marks 10 years of backing from Fundación Banco Sabadell.

Heritage concerts can sound like a nice extra. In Boadilla del Monte, this one is being pitched as something more concrete — a way to pull people into historic buildings by giving them a reason to show up at night and stay for the music. That is the actual news here. Fundación Santa María la Real presented its 2026 “Las Piedras Cantan” program on April 29, and the first stop is May 14 in the chapel of the Palacio del Infante don Luis, with Canarian accordionist Sofía Ros opening the cycle. (culturaypatrimoniofundacion.org) ### What is launching in Boadilla? It’s the 2026 edition of “Las Piedras Cantan,” a long-running concert series built around heritage spaces rather than standard music venues. The Boadilla event is the opener for this year’s program, and it places the first recital inside one of the town’s best-known historic sites — the chapel of the Palacio del Infante don Luis. (culturaypatrimoniofundacion.org) ### Why start in a palace chapel? Because the whole idea is to make the building part of the performance. The foundation’s pitch is simple: music draws audiences in, and the monument stops being a static backdrop and becomes a lived-in cultural space. In Boadilla, that means using the palace complex — an 18th-century landmark tied to the Infante don Luis — as the first stage of the season. (culturaypatrimoniofundacion.org) ### Who is performing first? Sofía Ros gets the opening slot on May 14. Organizers describe her as a young accordionist with strong international projection, which fits the series’ other mission — not just filling heritage sites, but giving emerging or rising performers unusually intimate venues. That combination is basically the brand of the program. (culturaypatrimoniofundacion.org) ### How big is this year’s edition? Smaller than a sprawling summer festival, but that’s the point. The 2026 program has four concerts in total, all free and all scheduled for 20:00, with entry until capacity is reached. After Boadilla, the cycle moves to the Monasterio de Santa María de Pal(culturaypatrimoniofundacion.org)de Campoo on July 11. (culturaypatrimoniofundacion.org) ### Who comes after Boadilla? The rest of the lineup is deliberately mixed. Jumblin’ Jazz Musicalia takes the Valladolid stop with a vocal-jazz set, Rocío Torío performs in Lerma after her run to the semifinals of “La Voz España,” and the closing Aguilar concert features Mari Carmen Simón an(culturaypatrimoniofundacion.org) curated variety inside historic spaces. (larazon.es) ### Why is 2026 a milestone year? Because the series itself goes back to 2000, but 2026 marks 10 years of support from Fundación Banco Sabadell in its current collaborative form. The organizers leaned on that anniversary in the presentation, framing this edition as both a continuation and a proof point that the model has lasted. (culturaypatrimoniofundacion.org) ### Does it actually have scale? More than you might expect from a niche heritage program. Organizers said the cycle has drawn more than 100,000 attendees over its run and has included more than 200 concerts, with a 2026 budget of €20,000. That is not blockbuster money — but it does show a modest, repeatable format that keeps getting reused across regions. (larazon.es) ### What’s the bottom line? Boadilla is not just hosting a concert. It is opening a touring format that treats monuments as active cultural infrastructure, not museum pieces. If the formula works again this year, the win is twofold — young musicians get a distinctive stage, and historic sites get new foot traffic without pretending to be theme parks. (culturaypatrimoniofundacion.org)

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