Léa Seydoux on fashion for two films

- Vogue interviewed Léa Seydoux on May 22, saying she has two films in competition at Cannes and uses fashion to differentiate appearances - Seydoux told Vogue she crafts distinct looks for each project across press events and red carpets to signal separate artistic identities during the festival - Vogue published the interview on May 22, 2026, alongside Cannes red carpet photos and video content (vogue.com)

Léa Seydoux stars in two films competing at the 2026 Cannes Film Festival: *It's Winter* directed by Stefanie Kovalyov and *The Ballad of a Warrior* directed by Kantemir Balagov. In a Vogue interview published May 22, Seydoux explained she deliberately crafts distinct fashion looks for each film during festival press events and red carpets. "I like to have two different aesthetics, two different vibes," she said. The approach helps signal the separate artistic identities of the projects to audiences and press. For *It's Winter*, a French drama about a woman rebuilding her life after prison, Seydoux leaned into tailored, monochromatic suiting. She wore a black Armani Privé tuxedo jacket with slim trousers for one photocall, paired with a white Valentino blouse and slim black tie for another. A third look featured a navy Dior skirt suit with a pussy-bow blouse. These choices evoke a sleek, introspective Parisian edge, matching the film's themes of resilience and quiet reinvention. Shifting for *The Ballad of a Warrior*, a Russia-set epic about Soviet soldiers in Afghanistan, Seydoux adopted bolder, more dramatic silhouettes. On the red carpet, she appeared in a crimson Valentino gown with a corseted bodice and flowing train, evoking wartime romance and intensity. For press, she chose a metallic gold Saint Laurent dress with sharp shoulders and a high slit, plus Schiaparelli earrings shaped like golden bones—nodding to the film's brutal combat scenes without overpowering them. Seydoux credited close collaborators for executing the strategy. Stylist Yannick D'Is helped source pieces that align precisely with each film's mood, while Dior Makeup artist Diane Kendal focused on minimalism for *It's Winter* (nude lips, defined brows) versus smoky eyes and red lips for *The Ballad*. "Fashion is a way to enter the character," Seydoux told Vogue, adding that the festival's high visibility amplifies this. This isn't Seydoux's first time using wardrobe to differentiate roles at Cannes. In 2024, for *The Second Act*, she mixed Saint Laurent tailoring with vintage Chanel, creating a modern Bond-girl polish distinct from her *Spectre* era. Her 2013 Palme d'Or win for *Blue Is the Warmest Color* featured simpler, bohemian looks that contrasted the film's raw emotion. Fashion insiders note this tactic has become a Seydoux signature, turning red carpets into subtle promotional tools. Cannes 2026, running May 13-24, has two competition slots left after these premieres. *It's Winter* screened May 20; *The Ballad of a Warrior* follows May 23. Jury president Greta Gerwig will announce the Palme d'Or on May 24. Seydoux's coordinated looks continue through the closing ceremony. (; )

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